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25th Apr, 2012

April 25...

April 25th. It used to be the day my grandfather, Hiriam Louis Milligan, baker, sentimentalist, antic soul (I told Summer almost from the first time we spoke that he would have adored her) - the epitome of Irish America – would decorate a cake for me, two layers, his strong tattooed forearms squeezing icing out of a pastry gun. A Louie cake was a total cert, a lock, if the day fell on a weekend. If it fell on a weekday, my mom would bake peanut butter cookies, pack them up along with a big bag of Tootsie Roll Pops and send me off to school- a post-recess treat for all my classmates. The added inclusion of the Tootsie Roll Pops was because Amy Cottier had a well known peanut allergy. Also, now that I think of it, her brother died when she was in 4th grade. I remember the teacher telling us in hushed tones once she’d left the room. Summer would’ve gotten on with her, too – the first kid I knew like myself who had a too early sense of their own mortality, a taste of tragedy in their mouth before they were ten. Amy was in my class from Kindergarten through 5th grade. I walked her home once. And got in trouble for crossing the Anthony Wayne Trail without permission.

Subsequent years found other rituals, most involving heavy drinking. A surprise party one year at Mike’s, a long-now-defunct bar on 10th Avenue, in the halcyon days of EST, even Curt was there. By the end, everyone was surly as hell and sniping at each other. Pretty goddamn hilarious in retrospect. Another year, the year I moved to New York but went back to DC for the day, I got mugged in broad daylight 4 blocks from the White House, just outside the McPherson Square Metro Station and spent a couple of hours in the GW emergency room getting my nose re-attached to my face. (“They can’t all be winners”, Summer wrote me, years later, the first year we were together but couldn’t be on this day.) In ’96 Uncle played at CBGB’s on the day. A surviving recording off the sound board includes our closer, a hopped-up cover of The Beatles’ “I Don’t Wanna Spoil the Party” by way of the Ramones and tells you everything you need to know about that band, far more than even the two records we released in the late 90’s.

Doubtless, the best April 25 of them all was the one spent with Summer in 2009. She took me to see Death Cab for Cutie in Sacramento. She stood in front of me and I wrapped my arms around her. We sang along to every song, crying and kissing over her shoulder and crazy in love. Then we decamped to the beautiful house in Davis where she made absurdly complicated and delicious chocolate chocolate chocolate molten chocolate with chocolate frosting and more chocolate cupcakes and we dozed on couches and in the garden and in her amazing bedroom and used up the bath bombs we got at Lush in Carmel in her spa and I cooked for her and we watched movies and drank each other in for several days. It was, like every day spent with her, the best part of my life.

Last year, of course, it fell on the day of Summer’s memorial. She was meant to be here in New York. We had tickets to see Low in Philadelphia at this great venue we’d heard about but had never been. It was a Monday, so it would be our day off – we were meant to be workshopping a new play of mine that week, Summer in the leading role. Instead, I was in San Francisco, at Brava, giving her eulogy. My friend Kim said at the time, when she found out that Summer’s memorial would be held on my birthday, that it was “somehow perfect”. At the time, I couldn’t quite hear that. I wasn’t mad or anything. I just didn’t see it. Now, today, I do. Of course. Of course.

What could this day ever be, what could this day ever mean now without Summer? Choke down some cake? Oh, sure. Drinking heavily… well, that’s not so good but the jury’s out, even if it is a condition of my parole. (I’m dark-as-fuck joking, please do not call 911 again on my ass – that shit is expensive…) What better way to observe it – indeed, what else – than to eulogize, to remember her, to speak of and think of her. Of Summer, of the girl who found me and saved me and changed my life. If only I knew what to do with what’s left of it. Without her. Without you, sweetheart. Oh, my girl! Beautiful, brilliant, miracle Summer. Until that day. Until that day…

Michael Louis Serafin-Wells
April 25, 2012 - New York City


11th Dec, 2011

Anymore...

Nothing feels right.

3rd Dec, 2011

Instant Cosmic Messaging

Summer came to me in a dream last night. We were together and I had a tattoo that read: "Our Oneness Can Never Be Erased". This is such a curious, delightful and foreign phrase, I am convinced she knows how to find me.

2nd Nov, 2011

All Souls Day

Not really religious but love going to Choral Evensong. Always attend at St Paul's when in London and have been going to St Thomas's in New York for a year or two. It's usually on Wednesday but this week instead the service was a Solemn Eucharist for All Souls Day. Essentially a requiem. Didn't quite fully take that in before I got there. It was beautiful and I cried and cried and cried. I wrote Summer's name down on an envelope and left it next to the hymnal. Even tho she wasn't religious and I don't know if I am. Just want her to find me. After, I went to Chelsea to hear Joan Didion read from her new (released today) book "Blue Nights". It's the follow up to "The Year of Magical Thinking"- the former about the loss of her daughter and the latter about the loss of her husband. She's as fragile as I feel. A testament to grief and love in loss. I rode the M11 bus home up 10th Avenue stopping at D'Agostino's to buy fat free Half n Half and a box of Gingersnaps. I'm totally ruined, drained by days end - a crying hangover. Sober for 52 days I have this kind now instead. I'm aching for her. Always. Never stops. Only deepens, grows more keen. And then a surprise, the shock that so bereft i feel a stirring kinda love for New York. The way only the lonely and brokenhearted can, I suppose...

Posted via LiveJournal app for iPhone.

19th Aug, 2011

Tonight...

Two new songs tonight. Started them with Jay last week, ran through today with Eliz on bass and just laid down tracks. Listening to playback and weeping uncontrollably, so probably on to something. All for Summer. All for you, my little sweetheart...




Five Months Tonight...

Miss you. Love you forever.



20th Jul, 2011

Right of return...

I know what it is: everyday I'm waiting for you to return, to come back, just turn up. I'm expecting it. I know what this is...


24th Jun, 2011

The New York Times...

The New York Times has had some kind words this week for TWO FROM THE LINE praising Michael's writing as "(Neil) LaBute territory with fresh angles and sustained tension". Summer loved this play so we put it down to her. It's for her. Always. All for her.


26th May, 2011

First Listen...

Summer had the keenest awareness of her own mortality. Far more keen than I could ever bear or truly accept. I remember driving with her down Kirkham once to Andronico's listening to DCFC. She suddenly starting talking about what she wanted at her funeral. "Music. And I want you to speak". I nodded quietly, staring ahead and kept driving. But the tears started to fall. "I don't want you to die, " I said. "Not before me. And I will never be able to listen to this, to any of our music again if you are gone." She took my hand and said "I want you to. I want you to listen and think about me. And remember." I am trying, Summer. I'm trying, sweetheart. It's impossible to not think of you. Remembering. It's all I do or have, baby. But the music part is hard. I can't get anywhere near "Black Cherry" or "Boxer" or "Plans" or "For Emma, Forever Ago", or "Transatlanticism" or... yeah. God. I'm tentatively approaching new releases. Things we were looking forward to hearing together only coming out now. I'm somewhat relieved that the first single from the new Bon Iver record is not that good. Ha! It ain't bad. But "re: Stacks" it is not. Thank god. But... but... "Codes & Keys" comes out in a few days and I have the feeling that the moment I hear Ben Gibbard's voice I will fall apart. Just for something different. Do you know? God, I miss you, my gorgeous girl...


23rd May, 2011

All for her...

With special dedication to his love Summer, Michael is in New York opening Series "A" of Ensemble Studio Theatre's 33rd Annual Marathon of One-Act plays, performing in Qui Nguyen's "Bike Wreck" (dir: John Gould Rubin). Series "B" includes a play of his own - the stage version of TWO FROM THE LINE (dir: RJ Tolan). In lieu of a bio, both Marathon programs contain Michael's dedication to Summer and a brief excerpt from his memorial address. Now and forever it is all for her. All for Summer. All for her...


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